In Tenderenda, composed between 1914 and 1920, Ball recounts a hallucinatory tale of his own Dada enchantment and disenchantments. Jeffrey T. Schnapp introduces the book, elaborating the cultural and historical context of Ball's work and situating Hammer's work in relation to Dada. In a concluding essay, Hammer probes various aspects of Ball's asceticism, spirituality, and sexuality to arrive at a revisionist interpretation of Zurich Dada and the origins of modernism as well as postmodern art-making.
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